Art Book/美術洋書

2018/06/01

CIRCLES AND CIRCUITS: CHINESE CARIBBEAN ART カリブ海諸国の中華系ディアスポラの美術

Circlesandcircuts

CIRCLES AND CIRCUITS: CHINESE CARIBBEAN ART.

Ed. by Alexandra Chang.
Published April 2018.
Published in association with Duke University Press, Durham.
230 pp. with 150 ills. 26 x 21 cm.
In English.
Paperbound
展覧会カタログ
$37.96 used(189-01)
 
Circles and Circuits: Chinese Caribbean Art examines artistic production in Cuba, Trinidad, Jamaica, and Panama, where large immigrant populations and political, economic, and socio-cultural conditions enabled the development of rich art practices in the Chinese diasporic community. The volume touches on the dynamic interconnections between the Chinese diasporic art communities and intercontinental Caribbean art movements bringing into focus the intimate relationships between the artists and those around them, including those who influenced their work, from peers to mentors and family. Circles and Circuits: Chinese Caribbean Art ultimately explores how global migrations and the legacies of cultural, political, and economic power have shaped Chinese Caribbean art practices in the Caribbean and its diaspora.

This catalog accompanies the exhibition Circles and Circuits: Chinese Caribbean Art, presented in two parts: History and Art of the Chinese Caribbean Diaspora at the California African American Museum and Contemporary Chinese Caribbean Art at the Chinese American Museum. The exhibition is part of the Getty’s initiative Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Presenting a wealth of rarely seen artworks, archival materials, and scholarship, the exhibitions and catalog shift the frame of critical discourse on Chinese Caribbean art history and visual cultures. Circles and Circuits: Chinese Caribbean Art offers a foundational introduction into Chinese Caribbean art and its global context.
History and Art of the Chinese Caribbean Diaspora will be on display at the California African American Museum from September 15, 2017 through February 25, 2018. Contemporary Chinese Caribbean Art will be on display at the Chinese American Museum in Los Angeles from September 15, 2017 through March 11, 2018.

Contributors. Alexandra Chang, Evelyn Hu-Dehart, Julia P. Hertzbert, Mar Hollingsworth, Walton Look Lai, Sean Metzger, Patrica Mohammed, Lok Siu, Steve Wong

Published by the Chinese American Museum with the assistance of the Getty Foundation and distributed by Duke University Press

About The Author(s)
Alexandra Chang is Curator of Special Projects and Director of Global Arts Programs at the Asian/Pacific/American Institute at New York University and the author of Envisioning Diaspora: Asian American Visual Arts Collectives, from Godzilla, Godzookie, to the Barnstormers.
Steven Y. Wong is Curator at the Chinese American Museum.
Mar Hollingsworth is Visual Arts Curator and Program Manager at the California African American Museum
Evelyn Hu-DeHart is Professor of History and Director of the Center for the Study of Race and Ethnicity in America at Brown University.

2018/05/28

A Constructive Vision: Latin American Abstract Art from the Colección Patricia Phelps de Cisneros ラテンアメリカの幾何学的抽象美術

Constructive_vision


A Constructive Vision: Latin American Abstract Art from the Colección Patricia Phelps de Cisneros
Ariel Jimenez, James Cuno, Adriana Cisneros de Griffin (Preface), Gabriel Perez-Barreiro (Introduction)
Publisher: Fundación Cisneros/Colección Patricia Phelps de Cisneros (August 31, 2010)
Hardcover: 344 pages
Language: English
Product Dimensions: 11.2 x 1.8 x 11.5 inches
$92.64 used

 Colección Patricia Phelps de Cisnerosが所蔵するラテンアメリカの幾何学的抽象作品を通じて、20世紀前半のJoaquin Torres-Garciaやベネズエラのキネティックアートなどを紹介する。

2018/05/10

Here and Now: Atomic Bomb Artifacts: Hiroshima 1945/2007

Here_and_now_atomic_bomb_artifacts_


Here and Now: Atomic Bomb Artifacts: Hiroshima 1945/2007

MIYAKO, ISHIUCHI

PPP Editions, [New York], 2014

$1,117.00 used

Unpaginated. Folded sheets with color photographic plates. Colophon inserted on separate folded sheet. 20x20 cm (8x8"), pictorial boards, slipcase. No. 15 of 100 copies. First Edition. Signed by Miyako in silver pen at the colophon as issued. Striking images from the Japanese photographer of objects worn or carried on the summer day of the atomic bomb attack on Hiroshima in 1945, from Hiroshima Peace Memorial Museum. Rare. Fine Condition.

2018/04/09

Paint the Revolution メキシコ近代美術の概観

Paintingrevolution
 
Paint the Revolution
Edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello
Yale University Press 2016
Hardback 432 pages, 9 x 11 3/4
350 color + 20 b/w illus.
$58.67+pos.(古書入手可 版元絶版)

メキシコ近代美術40年を概観した展覧会図録
Philadelphia Museum of Art
(10/25/16–01/08/17)
Museo del Palacio de Bellas Artes, Mexico City
(02/03/17–04/30/17)
Museum of Fine Arts, Houston
(June–September 2017)

In the wake of the 1910–20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the tres grandes (three greats)—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950.

Fourteen essays by authors from both the United States and Mexico offer a thorough reassessment of Mexican modernism from multiple perspectives. Some of the texts delve into thematic topics—developments in mural painting, the role of the government in the arts, intersections between modern art and cinema, and the impact of Mexican art in the United States—while others explore specific modernist genres—such as printmaking, photography, and architecture. This beautifully illustrated book offers a comprehensive look at the period that brought Mexico onto the world stage during a period of political upheaval and dramatic social change.

Matthew Affron is the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art. Mark A. Castro is a project assistant curator at the Philadelphia Museum of Art. Dafne Cruz Porchini is exhibition curator for the Museo del Palacio de Bellas Artes and postdoctoral researcher, Colegio de México, Mexico City. Renato González Mello is the director of the Instituto de Investigaciones Estéticas at the Universidad Nacional Autónoma de México, Mexico City.


2018/04/06

死者の日のポストカード、プエブロ族の絵画

Blazo_gallery_mission_badlands_pres

Blazo_gallery_mission_badlands_pr_2

Balazo Gallery & Mission Badlands presents Dia de Los Muertos opening reception Friday 8pm October 24th, 1997 (postcard)

Balazo Gallery & Mission Badlands

San Francisco: Balazo Gallery, 1997. postcard. 4.25x6 inch postcard with a Posada-esque skeleton illustration on cover and information on back.

$11.00+pos. (No.185-01)

最近、メキシコやラテンアメリカの「死者の日」は徐々に知られつつあるが、ハローウィンにはまだかなわない。

Pueblo_indian_painting

Pueblo Indian painting: tradition and modernism in New Mexico, 1900-1930

Brody, J.J.

Santa Fe: School of American Research Press; Distributed by the University of Washington Press, 1997. xi, 225 pages, 11.5x10 inch paperback, still new in shrinkwrap.

"Based on the extensive Pueblo painting collections of the School of American Research in Santa Fe, the book traces the lives and examines the achievements of seven key artist: Fred Kabotie and Otis Polelonema of Hopi, Velino Shije Herrera (Ma-Pe-Wi) of Zia, and Awa Tsireh (Alfonso Roybal), Crescencio Martinez (Ta'e), Oqwa Pi (Abel Sanchez), and Tonita Pena (Quah Ah) of San Ildefonso" - cover blurb.

$12.00+pos. (No.185-02)

メキシコ北部からアメリカ合衆国南西部にかけて共同体をつくるプエブロ族のアート。1540年、侵攻したスペイン軍によってプエブロ(スペイン語で村、町)と名付けられた。7人のアーティストの作品などを取り上げている。

2018/02/08

Paint the Revolution: Mexican Modernism, 1910–1950

Paint_the_revolution_mexican_modern

Paint the Revolution: Mexican Modernism, 1910–1950
Yale University Press, 2016
432p.
$54.93 (+shipping charge)
A comprehensive look at four transformative decades that put Mexico’s modern art on the map
In the wake of the 1910–20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the tres grandes (three greats)—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950.
 
Fourteen essays by authors from both the United States and Mexico offer a thorough reassessment of Mexican modernism from multiple perspectives. Some of the texts delve into thematic topics—developments in mural painting, the role of the government in the arts, intersections between modern art and cinema, and the impact of Mexican art in the United States—while others explore specific modernist genres—such as printmaking, photography, and architecture. This beautifully illustrated book offers a comprehensive look at the period that brought Mexico onto the world stage during a period of political upheaval and dramatic social change.
About the Author:
Matthew Affron is the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art. Mark A. Castro is a project assistant curator at the Philadelphia Museum of Art. Dafne Cruz Porchini is exhibition curator for the Museo del Palacio de Bellas Artes and postdoctoral researcher, Colegio de México, Mexico City. Renato González Mello is the director of the Instituto de Investigaciones Estéticas at the Universidad Nacional Autónoma de México, Mexico City.

2018/01/14

Campúa

Campuaphotobolsillo_2
Campúa
Colección PHotoBolsillo
Redescubrir a un fotógrafo poliédrico
Una ocasión única para redescubrir al «fotógrafo de Franco».
La Fabrica, 2016
Texto: Cristina Ruiz Fernández
Páginas: 96
Formato: 13 x 18 cm
Imágenes: 62
Encuadernación: rústica
Idioma: esp.—eng
13,94 €
Campúaとして知られているJosé Demaría Vázquez (Madrid, 1900-1975)の写真集。フランコやスペイン王室の写真家であったが、その先入観を取り払い、視野を広げ、前世紀の写真家の写真を通して、あらゆる社会層の肖像を捉える。
José Demaría Vázquez (Madrid, 1900-1975), conocido como Campúa, fue reportero gráfico y empresario del teatro y del cine. Colaboró con importantes medios de la época como Mundo Gráfico, La Esfera o Nuevo Mundo; cubrió las campañas de África, así como multitud de eventos y sucesos del día a día, desde carreras de motor hasta accidentes de tranvía. En 1922 fue el único fotógrafo que acompañó a Alfonso XIII en su famoso viaje a Las Hurdes y, durante la guerra civil se unió al bando nacional realizando incontables fotografías tanto en el frente como en la retaguardia. También fotografió a innumerables personalidades de la sociedad, las artes y la política, incluyendo a Truman Capote o Gregory Peck, entre muchos otros.

2017/12/31

Cuerda de presas

Cuerdadepresas

Cuerda de presas
Jorge García, Fidel Martínez
96 páginas. Blanco y negro
Cartoné. 18.0 x 23.0 cm
Astiberri, 2017 (España)
15.00€+送料

フランコ独裁政権下に収監された女性政治犯たちを漫画で描く。

Los relatos que componen Cuerda de presas recrean la vida de las presas políticas españolas durante los primeros años de la dictadura franquista. Cada historieta transcurre en una cárcel distinta (de Les Corts en Barcelona a la prisión de Ventas en Madrid, pasando por muchas otras), componiendo así un mosaico que denuncia las atrocidades de la represión en la posguerra. Inmersas en esa atmósfera asfixiante, las mujeres son el protagonista, y el dolor y la rabia los únicos sentimientos permitidos. A lo largo de estas historias, y pese a todas las imposiciones imaginables, las presas recobran una a una las palabras que importan: las del afecto, la amistad y la solidaridad.

Jorge García y Fidel Martínez apuestan por una reconstrucción decididamente expresionista de una época y un sufrimiento olvidados, tratando de devolver a aquellos miles de prisioneras la voz que, en aquel momento, sus verdugos quisieron robarles. Con este álbum, a su vez, la historieta española repara una deuda histórica y, al mismo tiempo, rememora las aristas más dolorosas de un pasado poblado por hambrientos, presos y muertos. Una obra que para Felipe Hernández Cava, guionista y teórico sobre el cómic, se trata de “un libro portentoso, de lo mejor que ha dado jamás la historieta española”, tal y como afirma en el prólogo.

2017/12/16

Gilberto Aceves Navarro: MI JUAREZ DE TODOS LOS DIAS

Mi_juarez_de_todos_los_dias

MI JUAREZ DE TODOS LOS DIAS

Gilberto Aceves Navarro

Museo Nacional de Historia, 2006

Paperback

$31.20(古書)

Gilberto Aceves Navarro ヒルベルト・アセベセス・ナバーロ
1931年、メキシコ・シティ生まれ
1950年、国立絵画・彫刻学校"La Esmeralda"に入学し、Enrique Asado、Ignacio Aguirre、Carlos Orozco Romeroに師事する。1952年、Siqueiros と共にUNAM事務局の壁画制作に参加。1953年、"La Esmeralda"に再入学し、退学処分にされたIshidoro Ocampoと版画を学ぶ。20世紀半ば、メキシコ美術学校の既成的な枠組みに反抗し、メキシコ美術を変えようと集まった若手アーティストたちのグループGeneración de Raptura(断絶の世代)に加わる。

2017/11/05

Diego Rivera and Lupe Marin

Diego_rivera_lupe_marin

Diego Rivera and Lupe Marin

Miguel Covarrubias

1920

$22,550

鉛筆 アーティストボード
サイズ 14 x 8-1/2 in.
右下にサイン有 「Covarrubias」

 ルーペ・マリンは、ディエゴ・リベラの二番目の妻(1922-1927)。リベラ夫妻は、コバルビアスをはじめ、フリーダ・カーロ、ダヴィッド・シケイロス、シケイロスの妻アンヘリカ、タマヨ夫妻たちと交友関係があった。

ディエゴ・リベラ(Diego Rivera、メキシコ・グアナフアト州、1886-1957)
画家、壁画画家。キュービズムの影響を受けた作品や社会と美術の関係を数多くの壁画で残す。

ルーペ・マリン(Guadalupe Marin、 メキシコ・ハリスコ州、1895-1981)
ディエゴ作品のモデルとなる。半自伝的な小説などを残している。

ミゲル・コバルビアス(Miguel Covarrubias、メキシコ・メキシコシティ、1904-1957)
画家、風刺画家、民俗学者。

ダヴィッド・シケイロス(David Alfaro Siqueiros、メキシコ・チワワ州、1896-1974)
画家。ディエゴ・リベラ、ホセ・クレメンテ・オロスコと共にメキシコ壁画運動の推進者。

ルフィーノ・タマヨ(Rujino Tamayo、メキシコ・メキシコシティ、1899-1991)
画家。20世紀ラテンアメリカ美術における重要作家の一人。

(#180 USA)

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