Art Book/美術洋書

2018/10/06

Radical Women: Latin American Art, 1960-1985

Radicalwomenlatinamericanart1960198

Radical Women: Latin American Art, 1960 - 1985
Andrea Giunta; Cecilia Fajardo-Hill
Prestel, 2017
US$45.37+postage to Japan(No.196-1)

 ラテンアメリカおよびラティーノやチカーノの女性アーティストたちによるコンテンポラリーアートが遅ればせながら認識され評価されつつある。ラテンアメリカや米国で20世紀後半に起きた騒乱や革命のさなか、女性アーティストたちは、あらゆる領域で、彼女たちの主張を突き出してきた。100人超える女性アーティストたちの絵画、彫刻、写真、映像、パフォーマンス、実験的アートなどの領域の300点近い作品で検証する。

This stunning reappraisal offers long overdue recognition to the enormous contribution to the field of contemporary art of women artists in Latin America and those of Latino and Chicano heritage working during a pivotal time in history. Amidst the tumult and revolution that characterized the latter half of the 20th century in Latin America and the US, women artists were staking their claim in nearly every field. This wide ranging volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media.

A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Drawing its design and feel from the radical underground pamphlets, catalogs, and posters of the era, this is the first examination of a highly influential period in 20th-century art history.

Published in association with the Hammer Museum.

About the Author:
Cecilia Fajardo-Hill is an independent British-Venezuelan art historian and curator of modern and contemporary art, currently based in Southern California.

2018/09/14

Mexique el nombre del barco

Mexique

Mexique  el nombre del barco
María José Ferrada (Chile)
Ilustraciones de Ana Penyas (España)
Libros del Zorro Rojo (Barcelona, España), 2017
23x21cm  32páginas  cartoné
対象年齢: 小学校低学年から

US$14.68+postage to Japan (194-01)

 スペイン市民戦争を逃れて、共和国の子どもたち456人を乗せたメキシック号は、1937年5月27日、フランス南西部の港湾都市ボルダーを離れ、メキシコに向かいました。メキシコの中央部にあるモレリアという町で三か月か四か月の滞在で済むと思われていましたが、共和国の敗北と第二次世界大戦が始まったため、スペインに帰ることができなくなりました。「モレリアの子どもたち」のほどんどはスペインに戻ることなく、数十年が過ぎました。ようやく帰ることができた時には、故郷の風景や兄弟の顔を思い出すことができませんでした。

 80年前の戦争によって海外に疎開せざるを得なくなった子どもたちですが、今でも、紛争等によって、国を離れた子どもたちの難民がいます。

 Ana Penyasは、コラージュと鉛筆を使い、グレイと赤にグラデーションをつけ、戦争が引き起こした痛みや孤独を表現しています。と同時に、「モレリアの子どもたち」の希望も覗かせています。

2018/08/24

Joaquín Sorolla Spain's Master of Light

Joaquinsorolla

Joaquín Sorolla Spaniens Meister des Lichts (German Edition)
Joaquín Sorolla  Spain's Master of Light

Edited by Roger Diederen, María López Fernández and Blanca Pons-Sorolla; with 118 color illustrations, 248 pages.
Hirmer Verlag GmbH, 2016
US$45.00+postage US$22.00 to Japan (used 193-01)

ドイツで初めて開催されたホアキン・ソローリャ展(2016年)のカタログ

This catalogue offers an extensive survey of Sorolla’s life and work, Spain’s most famous painter of the late 19th century. Essays, by among others the exhibition’s curators Blanca Pons–Sorolla and María López Fernández, deal intensively with the various stages of his impressive career. A major focus lays on the artist’s international breakthrough in Paris. Short introductory texts cast a light on various topics such Sorolla’s landscapes and portraits.

Joaquin Sorolla: Spain’s Master of Light
Kunsthalle der Hypo-Kulturstiftung
Munich
4 March – 3 July 2016

For the first time in Germany the Kunsthalle in Munich is presenting a comprehensive retrospective by the Spanish artist, Joaquín Sorolla (1863–1923). A native of Valencia, the artist had the unparalleled ability to capture the southern light in paint; his sun-drenched works even impressed contemporaries like Claude Monet.

The exhibition includes 120 works from the artist’s entire career, from his early paintings in Paris, in which the influence of the French Impressionists is clearly evident, right through to the distinctive pictures that reflect the maturing of his art into his own unmistakable style that was celebrated throughout Europe and the USA. In addition to Spanish landscapes and beach scenes, perspective portraits are recurring themes in his work. Moreover, the exhibition focuses in particular on the large-format paintings that attracted such attention in the Paris Salon.

Joaquín Sorolla is considered the most important Spanish artist of the turn of the century. Surprisingly, his work is virtually unknown in Germany today. Therefore, it is high time to rediscover this “master of light”.

Joaquinsorollacatalogo1

Joaquinsorollacatalogo2

Joaquinsorollacatalogo3

2018/08/14

Lucio Muñoz スペインの抽象表現主義

Lucio_muoz_catlogo_de_exposiciones_

Lucio Muñoz
Catálogo de exposiciones
Alicante, Ialia-2 Galería de Arte, octubre 1978
[16] p. il. bl. y n. 23 cm
$14.20+postage $28.48 to Japan (used/187-01)

Lucio Muñoz
Pinturas en colecciones de la provincia de Alicante y grabados
Exposición, Sala de Exposiciones Cajalicante, [18 de mayo al 17 de junio de 1989]
35 páginas; ilustraciones a color dentro del texto. Cartoné original con sobrecubiertas. Sellos de goma desafectados de antigua biblioteca.
$10.56+postage $20.51 to Japan (used/187-02)

Lucio Muñoz (Madrid, 1929-1998)
「50年代」の作家。スペインにおける抽象表現の先駆者のひとり。
初期は風景画を描いていたが、パウル・クレー、ルフィノ・タマヨ、ベン・ニコルソン、ホアキン・トレス・ガルシアたちの影響を受け、1955年から抽象画表現に近づいていく。パリ時代では抽象表現主義が明確となる。
1957年のGalería Fernando Fe、翌年のEl Ateneoでの個展開催。そして、コレクターのFernando ZóbelとJuan Huarteに認められ、スペイン前衛美術家としての地位を固める。

2018/07/31

Frida Kahlo An Illustrated Life

Fridakahloillustratedlife


Frida Kahlo An Illustrated Life
By María Hesse, translated by Achy Obejas

University of Texas Press, September 2018
150 pages 6.5 x 9.5 140 color illustrations
$21.95+postage to Japan (192-01)

エルネスト・チェ・ゲバラに引けを取らないほど、そのイコンが世界中に出回っているフリーダ・カーロ。イラストで再構成したフリーダの絵を添えて、彼女が巡った人生を一人称で語る。2017年に刊行された「Frida Kahlo: Una biografía」の英語訳。

Fridakahloillustratedlife2_2

Fridakahloillustratedlife4

Fridakahloillustratedlife6

Fridakahlounabiografia
スペイン語版「Frida Kahlo: Una biografía」(入手可)

Inspirado en las vivencias de la icónica pintora mexicana, Frida Kahlo, este libro ofrece un hermoso paseo ilustrado por su vida y su obra.
Frida fue algo más que dolor y angustia. Quiso ser fiel a su arrolladora personalidad y se convirtió en una artista llena de vida. Su pintura es fiesta, color, sangre y vida. Fue una luchadora que decidió ponerse el mundo por montera y una mujer apasionada que no se conformó con estar a la sombra de su gran amor, el pintor Diego Rivera. Frida decidió vivir con intensidad, tanto las desgracias como las alegrías que le deparó la existencia.

A María Hesse siempre le han gustado los niños y la ilustración. En el año 2004 se diplomó en Magisterio de Educación Primaria, especializada en Educación Especial, en la Facultad de Ciencias Educación de la Universidad de Sevilla. Sin embargo, después de unos años trabajando como docente, comprendió que la ilustración era una pieza muy importante en su vida, así que se matriculó en la Escuela de Arte de San Telmo (Málaga) y desde entonces se desempaña como ilustradora. Frida Kahlo. Una biografía es su primer álbum ilustrado.

2018/07/18

GARDENING WITH OSCAR OIWA: New Paintings

展覧会カタログ

GARDENING WITH OSCAR OIWA: New Paintings
Arizona State University Art Museum, 2006
Paperback
Book Condition:Fine
Dust Jacket Condition: Dust Jacket Included
US$25+US$32.50 postage to Japan (191-01)

Oiwa_1_2

Oscar Oiwa, Pooch, 2004. Oil on canvas, 90" x 270". Courtesy of the artist. Photo credit: Yozo Takada
This exhibition (Oct. 14, 2006 - Feb. 17, 2007 at ASU Art Museum) of Oscar Oiwa's paintings, the first in a U.S. art museum, is another installment in the ASU Art Museum's expanded initiatives for exhibiting and interpreting Latin-American art. Oiwa, a Brazilian artist of Japanese heritage, studied in Japan and the United Kingdom. He currently lives in New York.

With considerable technical expertise, Oiwa records the impact of globalization with beautiful paintings about cultural collision, environmental degradation, dehumanizing slums and violence through attrition. His vision portrays a world on the precarious edge of oblivion. Influences in his work come from Japanese art - both the byobu screen with multiple panels and contemporary manga, and from the West in varied forms, including Anselm Kiefer, Claude Monet and science fiction film.

About the Artist
Oscar Oiwa, a native of São Paulo, studied in Japan and London. In 2002 he was the recipient of a Guggenheim Fellowship, which took him to New York. The artist is represented by Thomas Cohn Gallery, São Paulo.
ASU Art Museum Presentation
Organized by Marilyn A. Zeitlin, Gardening with Oscar Oiwa will be installed in the Arizona State University Art Museum's Nelson Fine Arts Center location and will be the artist’s first U.S. museum solo exhibition.

*****
大岩オスカール個展「光の満ちる銀座」が、東京画廊 + BTAP(東京・銀座)で開催される。同画廊では、2009年に北京で個展を行って以来、9年ぶり二度目の個展となる。

大岩オスカール「光の満ちる銀座」
2018.7.21 (sat) - 9.22 (sat)

2018/06/01

CIRCLES AND CIRCUITS: CHINESE CARIBBEAN ART カリブ海諸国の中華系ディアスポラの美術

Circlesandcircuts

CIRCLES AND CIRCUITS: CHINESE CARIBBEAN ART.

Ed. by Alexandra Chang.
Published April 2018.
Published in association with Duke University Press, Durham.
230 pp. with 150 ills. 26 x 21 cm.
In English.
Paperbound
展覧会カタログ
$37.96 used(189-01)
 
Circles and Circuits: Chinese Caribbean Art examines artistic production in Cuba, Trinidad, Jamaica, and Panama, where large immigrant populations and political, economic, and socio-cultural conditions enabled the development of rich art practices in the Chinese diasporic community. The volume touches on the dynamic interconnections between the Chinese diasporic art communities and intercontinental Caribbean art movements bringing into focus the intimate relationships between the artists and those around them, including those who influenced their work, from peers to mentors and family. Circles and Circuits: Chinese Caribbean Art ultimately explores how global migrations and the legacies of cultural, political, and economic power have shaped Chinese Caribbean art practices in the Caribbean and its diaspora.

This catalog accompanies the exhibition Circles and Circuits: Chinese Caribbean Art, presented in two parts: History and Art of the Chinese Caribbean Diaspora at the California African American Museum and Contemporary Chinese Caribbean Art at the Chinese American Museum. The exhibition is part of the Getty’s initiative Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Presenting a wealth of rarely seen artworks, archival materials, and scholarship, the exhibitions and catalog shift the frame of critical discourse on Chinese Caribbean art history and visual cultures. Circles and Circuits: Chinese Caribbean Art offers a foundational introduction into Chinese Caribbean art and its global context.
History and Art of the Chinese Caribbean Diaspora will be on display at the California African American Museum from September 15, 2017 through February 25, 2018. Contemporary Chinese Caribbean Art will be on display at the Chinese American Museum in Los Angeles from September 15, 2017 through March 11, 2018.

Contributors. Alexandra Chang, Evelyn Hu-Dehart, Julia P. Hertzbert, Mar Hollingsworth, Walton Look Lai, Sean Metzger, Patrica Mohammed, Lok Siu, Steve Wong

Published by the Chinese American Museum with the assistance of the Getty Foundation and distributed by Duke University Press

About The Author(s)
Alexandra Chang is Curator of Special Projects and Director of Global Arts Programs at the Asian/Pacific/American Institute at New York University and the author of Envisioning Diaspora: Asian American Visual Arts Collectives, from Godzilla, Godzookie, to the Barnstormers.
Steven Y. Wong is Curator at the Chinese American Museum.
Mar Hollingsworth is Visual Arts Curator and Program Manager at the California African American Museum
Evelyn Hu-DeHart is Professor of History and Director of the Center for the Study of Race and Ethnicity in America at Brown University.

2018/05/28

A Constructive Vision: Latin American Abstract Art from the Colección Patricia Phelps de Cisneros ラテンアメリカの幾何学的抽象美術

Constructive_vision


A Constructive Vision: Latin American Abstract Art from the Colección Patricia Phelps de Cisneros
Ariel Jimenez, James Cuno, Adriana Cisneros de Griffin (Preface), Gabriel Perez-Barreiro (Introduction)
Publisher: Fundación Cisneros/Colección Patricia Phelps de Cisneros (August 31, 2010)
Hardcover: 344 pages
Language: English
Product Dimensions: 11.2 x 1.8 x 11.5 inches
$92.64 used

 Colección Patricia Phelps de Cisnerosが所蔵するラテンアメリカの幾何学的抽象作品を通じて、20世紀前半のJoaquin Torres-Garciaやベネズエラのキネティックアートなどを紹介する。

2018/05/10

Here and Now: Atomic Bomb Artifacts: Hiroshima 1945/2007

Here_and_now_atomic_bomb_artifacts_


Here and Now: Atomic Bomb Artifacts: Hiroshima 1945/2007

MIYAKO, ISHIUCHI

PPP Editions, [New York], 2014

$1,117.00 used

Unpaginated. Folded sheets with color photographic plates. Colophon inserted on separate folded sheet. 20x20 cm (8x8"), pictorial boards, slipcase. No. 15 of 100 copies. First Edition. Signed by Miyako in silver pen at the colophon as issued. Striking images from the Japanese photographer of objects worn or carried on the summer day of the atomic bomb attack on Hiroshima in 1945, from Hiroshima Peace Memorial Museum. Rare. Fine Condition.

2018/04/09

Paint the Revolution メキシコ近代美術の概観

Paintingrevolution
 
Paint the Revolution
Edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello
Yale University Press 2016
Hardback 432 pages, 9 x 11 3/4
350 color + 20 b/w illus.
$58.67+pos.(古書入手可 版元絶版)

メキシコ近代美術40年を概観した展覧会図録
Philadelphia Museum of Art
(10/25/16–01/08/17)
Museo del Palacio de Bellas Artes, Mexico City
(02/03/17–04/30/17)
Museum of Fine Arts, Houston
(June–September 2017)

In the wake of the 1910–20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the tres grandes (three greats)—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950.

Fourteen essays by authors from both the United States and Mexico offer a thorough reassessment of Mexican modernism from multiple perspectives. Some of the texts delve into thematic topics—developments in mural painting, the role of the government in the arts, intersections between modern art and cinema, and the impact of Mexican art in the United States—while others explore specific modernist genres—such as printmaking, photography, and architecture. This beautifully illustrated book offers a comprehensive look at the period that brought Mexico onto the world stage during a period of political upheaval and dramatic social change.

Matthew Affron is the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art. Mark A. Castro is a project assistant curator at the Philadelphia Museum of Art. Dafne Cruz Porchini is exhibition curator for the Museo del Palacio de Bellas Artes and postdoctoral researcher, Colegio de México, Mexico City. Renato González Mello is the director of the Instituto de Investigaciones Estéticas at the Universidad Nacional Autónoma de México, Mexico City.


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