Art Book/美術洋書

2018/08/14

Lucio Muñoz スペインの抽象表現主義

Lucio_muoz_catlogo_de_exposiciones_

Lucio Muñoz
Catálogo de exposiciones
Alicante, Ialia-2 Galería de Arte, octubre 1978
[16] p. il. bl. y n. 23 cm
$14.20+postage $28.48 to Japan (used/187-01)

Lucio Muñoz
Pinturas en colecciones de la provincia de Alicante y grabados
Exposición, Sala de Exposiciones Cajalicante, [18 de mayo al 17 de junio de 1989]
35 páginas; ilustraciones a color dentro del texto. Cartoné original con sobrecubiertas. Sellos de goma desafectados de antigua biblioteca.
$10.56+postage $20.51 to Japan (used/187-02)

Lucio Muñoz (Madrid, 1929-1998)
「50年代」の作家。スペインにおける抽象表現の先駆者のひとり。
初期は風景画を描いていたが、パウル・クレー、ルフィノ・タマヨ、ベン・ニコルソン、ホアキン・トレス・ガルシアたちの影響を受け、1955年から抽象画表現に近づいていく。パリ時代では抽象表現主義が明確となる。
1957年のGalería Fernando Fe、翌年のEl Ateneoでの個展開催。そして、コレクターのFernando ZóbelとJuan Huarteに認められ、スペイン前衛美術家としての地位を固める。

2018/07/31

Frida Kahlo An Illustrated Life

Fridakahloillustratedlife


Frida Kahlo An Illustrated Life
By María Hesse, translated by Achy Obejas

University of Texas Press, September 2018
150 pages 6.5 x 9.5 140 color illustrations
$21.95+postage to Japan (192-01)

エルネスト・チェ・ゲバラに引けを取らないほど、そのイコンが世界中に出回っているフリーダ・カーロ。イラストで再構成したフリーダの絵を添えて、彼女が巡った人生を一人称で語る。2017年に刊行された「Frida Kahlo: Una biografía」の英語訳。

Fridakahloillustratedlife2_2

Fridakahloillustratedlife4

Fridakahloillustratedlife6

Fridakahlounabiografia
スペイン語版「Frida Kahlo: Una biografía」(入手可)

Inspirado en las vivencias de la icónica pintora mexicana, Frida Kahlo, este libro ofrece un hermoso paseo ilustrado por su vida y su obra.
Frida fue algo más que dolor y angustia. Quiso ser fiel a su arrolladora personalidad y se convirtió en una artista llena de vida. Su pintura es fiesta, color, sangre y vida. Fue una luchadora que decidió ponerse el mundo por montera y una mujer apasionada que no se conformó con estar a la sombra de su gran amor, el pintor Diego Rivera. Frida decidió vivir con intensidad, tanto las desgracias como las alegrías que le deparó la existencia.

A María Hesse siempre le han gustado los niños y la ilustración. En el año 2004 se diplomó en Magisterio de Educación Primaria, especializada en Educación Especial, en la Facultad de Ciencias Educación de la Universidad de Sevilla. Sin embargo, después de unos años trabajando como docente, comprendió que la ilustración era una pieza muy importante en su vida, así que se matriculó en la Escuela de Arte de San Telmo (Málaga) y desde entonces se desempaña como ilustradora. Frida Kahlo. Una biografía es su primer álbum ilustrado.

2018/07/18

GARDENING WITH OSCAR OIWA: New Paintings

展覧会カタログ

GARDENING WITH OSCAR OIWA: New Paintings
Arizona State University Art Museum, 2006
Paperback
Book Condition:Fine
Dust Jacket Condition: Dust Jacket Included
US$25+US$32.50 postage to Japan (191-01)

Oiwa_1_2

Oscar Oiwa, Pooch, 2004. Oil on canvas, 90" x 270". Courtesy of the artist. Photo credit: Yozo Takada
This exhibition (Oct. 14, 2006 - Feb. 17, 2007 at ASU Art Museum) of Oscar Oiwa's paintings, the first in a U.S. art museum, is another installment in the ASU Art Museum's expanded initiatives for exhibiting and interpreting Latin-American art. Oiwa, a Brazilian artist of Japanese heritage, studied in Japan and the United Kingdom. He currently lives in New York.

With considerable technical expertise, Oiwa records the impact of globalization with beautiful paintings about cultural collision, environmental degradation, dehumanizing slums and violence through attrition. His vision portrays a world on the precarious edge of oblivion. Influences in his work come from Japanese art - both the byobu screen with multiple panels and contemporary manga, and from the West in varied forms, including Anselm Kiefer, Claude Monet and science fiction film.

About the Artist
Oscar Oiwa, a native of São Paulo, studied in Japan and London. In 2002 he was the recipient of a Guggenheim Fellowship, which took him to New York. The artist is represented by Thomas Cohn Gallery, São Paulo.
ASU Art Museum Presentation
Organized by Marilyn A. Zeitlin, Gardening with Oscar Oiwa will be installed in the Arizona State University Art Museum's Nelson Fine Arts Center location and will be the artist’s first U.S. museum solo exhibition.

*****
大岩オスカール個展「光の満ちる銀座」が、東京画廊 + BTAP(東京・銀座)で開催される。同画廊では、2009年に北京で個展を行って以来、9年ぶり二度目の個展となる。

大岩オスカール「光の満ちる銀座」
2018.7.21 (sat) - 9.22 (sat)

2018/06/01

CIRCLES AND CIRCUITS: CHINESE CARIBBEAN ART カリブ海諸国の中華系ディアスポラの美術

Circlesandcircuts

CIRCLES AND CIRCUITS: CHINESE CARIBBEAN ART.

Ed. by Alexandra Chang.
Published April 2018.
Published in association with Duke University Press, Durham.
230 pp. with 150 ills. 26 x 21 cm.
In English.
Paperbound
展覧会カタログ
$37.96 used(189-01)
 
Circles and Circuits: Chinese Caribbean Art examines artistic production in Cuba, Trinidad, Jamaica, and Panama, where large immigrant populations and political, economic, and socio-cultural conditions enabled the development of rich art practices in the Chinese diasporic community. The volume touches on the dynamic interconnections between the Chinese diasporic art communities and intercontinental Caribbean art movements bringing into focus the intimate relationships between the artists and those around them, including those who influenced their work, from peers to mentors and family. Circles and Circuits: Chinese Caribbean Art ultimately explores how global migrations and the legacies of cultural, political, and economic power have shaped Chinese Caribbean art practices in the Caribbean and its diaspora.

This catalog accompanies the exhibition Circles and Circuits: Chinese Caribbean Art, presented in two parts: History and Art of the Chinese Caribbean Diaspora at the California African American Museum and Contemporary Chinese Caribbean Art at the Chinese American Museum. The exhibition is part of the Getty’s initiative Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles. Presenting a wealth of rarely seen artworks, archival materials, and scholarship, the exhibitions and catalog shift the frame of critical discourse on Chinese Caribbean art history and visual cultures. Circles and Circuits: Chinese Caribbean Art offers a foundational introduction into Chinese Caribbean art and its global context.
History and Art of the Chinese Caribbean Diaspora will be on display at the California African American Museum from September 15, 2017 through February 25, 2018. Contemporary Chinese Caribbean Art will be on display at the Chinese American Museum in Los Angeles from September 15, 2017 through March 11, 2018.

Contributors. Alexandra Chang, Evelyn Hu-Dehart, Julia P. Hertzbert, Mar Hollingsworth, Walton Look Lai, Sean Metzger, Patrica Mohammed, Lok Siu, Steve Wong

Published by the Chinese American Museum with the assistance of the Getty Foundation and distributed by Duke University Press

About The Author(s)
Alexandra Chang is Curator of Special Projects and Director of Global Arts Programs at the Asian/Pacific/American Institute at New York University and the author of Envisioning Diaspora: Asian American Visual Arts Collectives, from Godzilla, Godzookie, to the Barnstormers.
Steven Y. Wong is Curator at the Chinese American Museum.
Mar Hollingsworth is Visual Arts Curator and Program Manager at the California African American Museum
Evelyn Hu-DeHart is Professor of History and Director of the Center for the Study of Race and Ethnicity in America at Brown University.

2018/05/28

A Constructive Vision: Latin American Abstract Art from the Colección Patricia Phelps de Cisneros ラテンアメリカの幾何学的抽象美術

Constructive_vision


A Constructive Vision: Latin American Abstract Art from the Colección Patricia Phelps de Cisneros
Ariel Jimenez, James Cuno, Adriana Cisneros de Griffin (Preface), Gabriel Perez-Barreiro (Introduction)
Publisher: Fundación Cisneros/Colección Patricia Phelps de Cisneros (August 31, 2010)
Hardcover: 344 pages
Language: English
Product Dimensions: 11.2 x 1.8 x 11.5 inches
$92.64 used

 Colección Patricia Phelps de Cisnerosが所蔵するラテンアメリカの幾何学的抽象作品を通じて、20世紀前半のJoaquin Torres-Garciaやベネズエラのキネティックアートなどを紹介する。

2018/05/10

Here and Now: Atomic Bomb Artifacts: Hiroshima 1945/2007

Here_and_now_atomic_bomb_artifacts_


Here and Now: Atomic Bomb Artifacts: Hiroshima 1945/2007

MIYAKO, ISHIUCHI

PPP Editions, [New York], 2014

$1,117.00 used

Unpaginated. Folded sheets with color photographic plates. Colophon inserted on separate folded sheet. 20x20 cm (8x8"), pictorial boards, slipcase. No. 15 of 100 copies. First Edition. Signed by Miyako in silver pen at the colophon as issued. Striking images from the Japanese photographer of objects worn or carried on the summer day of the atomic bomb attack on Hiroshima in 1945, from Hiroshima Peace Memorial Museum. Rare. Fine Condition.

2018/04/09

Paint the Revolution メキシコ近代美術の概観

Paintingrevolution
 
Paint the Revolution
Edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello
Yale University Press 2016
Hardback 432 pages, 9 x 11 3/4
350 color + 20 b/w illus.
$58.67+pos.(古書入手可 版元絶版)

メキシコ近代美術40年を概観した展覧会図録
Philadelphia Museum of Art
(10/25/16–01/08/17)
Museo del Palacio de Bellas Artes, Mexico City
(02/03/17–04/30/17)
Museum of Fine Arts, Houston
(June–September 2017)

In the wake of the 1910–20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the tres grandes (three greats)—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950.

Fourteen essays by authors from both the United States and Mexico offer a thorough reassessment of Mexican modernism from multiple perspectives. Some of the texts delve into thematic topics—developments in mural painting, the role of the government in the arts, intersections between modern art and cinema, and the impact of Mexican art in the United States—while others explore specific modernist genres—such as printmaking, photography, and architecture. This beautifully illustrated book offers a comprehensive look at the period that brought Mexico onto the world stage during a period of political upheaval and dramatic social change.

Matthew Affron is the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art. Mark A. Castro is a project assistant curator at the Philadelphia Museum of Art. Dafne Cruz Porchini is exhibition curator for the Museo del Palacio de Bellas Artes and postdoctoral researcher, Colegio de México, Mexico City. Renato González Mello is the director of the Instituto de Investigaciones Estéticas at the Universidad Nacional Autónoma de México, Mexico City.


2018/04/06

死者の日のポストカード、プエブロ族の絵画

Blazo_gallery_mission_badlands_pres

Blazo_gallery_mission_badlands_pr_2

Balazo Gallery & Mission Badlands presents Dia de Los Muertos opening reception Friday 8pm October 24th, 1997 (postcard)

Balazo Gallery & Mission Badlands

San Francisco: Balazo Gallery, 1997. postcard. 4.25x6 inch postcard with a Posada-esque skeleton illustration on cover and information on back.

$11.00+pos. (No.185-01)

最近、メキシコやラテンアメリカの「死者の日」は徐々に知られつつあるが、ハローウィンにはまだかなわない。

Pueblo_indian_painting

Pueblo Indian painting: tradition and modernism in New Mexico, 1900-1930

Brody, J.J.

Santa Fe: School of American Research Press; Distributed by the University of Washington Press, 1997. xi, 225 pages, 11.5x10 inch paperback, still new in shrinkwrap.

"Based on the extensive Pueblo painting collections of the School of American Research in Santa Fe, the book traces the lives and examines the achievements of seven key artist: Fred Kabotie and Otis Polelonema of Hopi, Velino Shije Herrera (Ma-Pe-Wi) of Zia, and Awa Tsireh (Alfonso Roybal), Crescencio Martinez (Ta'e), Oqwa Pi (Abel Sanchez), and Tonita Pena (Quah Ah) of San Ildefonso" - cover blurb.

$12.00+pos. (No.185-02)

メキシコ北部からアメリカ合衆国南西部にかけて共同体をつくるプエブロ族のアート。1540年、侵攻したスペイン軍によってプエブロ(スペイン語で村、町)と名付けられた。7人のアーティストの作品などを取り上げている。

2018/02/08

Paint the Revolution: Mexican Modernism, 1910–1950

Paint_the_revolution_mexican_modern

Paint the Revolution: Mexican Modernism, 1910–1950
Yale University Press, 2016
432p.
$54.93 (+shipping charge)
A comprehensive look at four transformative decades that put Mexico’s modern art on the map
In the wake of the 1910–20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the tres grandes (three greats)—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950.
 
Fourteen essays by authors from both the United States and Mexico offer a thorough reassessment of Mexican modernism from multiple perspectives. Some of the texts delve into thematic topics—developments in mural painting, the role of the government in the arts, intersections between modern art and cinema, and the impact of Mexican art in the United States—while others explore specific modernist genres—such as printmaking, photography, and architecture. This beautifully illustrated book offers a comprehensive look at the period that brought Mexico onto the world stage during a period of political upheaval and dramatic social change.
About the Author:
Matthew Affron is the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art. Mark A. Castro is a project assistant curator at the Philadelphia Museum of Art. Dafne Cruz Porchini is exhibition curator for the Museo del Palacio de Bellas Artes and postdoctoral researcher, Colegio de México, Mexico City. Renato González Mello is the director of the Instituto de Investigaciones Estéticas at the Universidad Nacional Autónoma de México, Mexico City.

2018/01/14

Campúa

Campuaphotobolsillo_2
Campúa
Colección PHotoBolsillo
Redescubrir a un fotógrafo poliédrico
Una ocasión única para redescubrir al «fotógrafo de Franco».
La Fabrica, 2016
Texto: Cristina Ruiz Fernández
Páginas: 96
Formato: 13 x 18 cm
Imágenes: 62
Encuadernación: rústica
Idioma: esp.—eng
13,94 €
Campúaとして知られているJosé Demaría Vázquez (Madrid, 1900-1975)の写真集。フランコやスペイン王室の写真家であったが、その先入観を取り払い、視野を広げ、前世紀の写真家の写真を通して、あらゆる社会層の肖像を捉える。
José Demaría Vázquez (Madrid, 1900-1975), conocido como Campúa, fue reportero gráfico y empresario del teatro y del cine. Colaboró con importantes medios de la época como Mundo Gráfico, La Esfera o Nuevo Mundo; cubrió las campañas de África, así como multitud de eventos y sucesos del día a día, desde carreras de motor hasta accidentes de tranvía. En 1922 fue el único fotógrafo que acompañó a Alfonso XIII en su famoso viaje a Las Hurdes y, durante la guerra civil se unió al bando nacional realizando incontables fotografías tanto en el frente como en la retaguardia. También fotografió a innumerables personalidades de la sociedad, las artes y la política, incluyendo a Truman Capote o Gregory Peck, entre muchos otros.

より以前の記事一覧

LIBER 2010

  • Liber2010_041
    スペイン国際ブックフェアLIBER マドリッドとバルセロナで交互に開催される。
無料ブログはココログ